A simple table highlighting the similarities between the abandoned women par excellence of Greek literature.
Princess/Queen | Ariadne of Crete | Dido of Carthago | Medea of Colchis |
connection with divine | granddaughter of Zeus and Helios, later bride of Dyonisus | Dido/Elissa as a goddess herself is controverse | granddaughter of Helios |
as helper-maiden | helped Theseus killing the Minotaur | helped her folks getting a land, i.e. founding Carthago | helped Jason getting the Golden Fleece |
obstacle-brother | The Minotaur (half-brother), monster eating sacrifical victims, got killed by Theseus | Pygmalion (according to some sources) killed Dido’s husband Acerbas, afterwards Dido fled from him | Absyrthus (according to some sources) got killed by Medea and Jason in order to ease the flight from Colchis |
featured means | thread | oxhide | potions |
skills | logic (see logic process named Ariadne’s thread) | mathematics (see isoperimetric problem called Dido’s problem) | medicine/magic (Georgian popular tradition attributes the origins of the term Medicine to Medea’s name) |
featured animal | bull (the Minotaur) goat (Dyonisus) | bull (the oxhide) | ram (the Golden Fleece) |
abandoned | from Theseus | from Aeneas | from Jason |
refugee | from Crete to Naxos | from Tyre to North Africa’s coast | from Colchis to Greek and then to Media (Iran) |
In this triptych, from left to right: Ariadne procrastination by Dina Belenko (photograph, 2012), Didon by Christine Jongen (bronze sculpture, 2007-08), Medea by Bernard Safran (oil on masonite, 36″ x 41″, 1964)
